Disney’s The Owl House is a wonderfully written show and an instant classic that fills in gaps in the kids’ media landscape that I didn’t even know needed filling.
Cartoon Network's newest series shows the audience a countdown to the end. That's a good thing.
The most polarizing show this era of television that no one's actually seen. A love letter to Rachel Bloom and Aline Brosh McKenna's "dark, feminist comedy about mental illness."
It is a truth universally acknowledged that an Elizabethan comedy must be in want of a happy ending. But is the ending of Shakespeare's Twelfth Night so happy?